Performance & exams · 5 min read

Nerves before a concert: 8 steps for musicians, from rehearsal to walking on stage

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TL;DR. Nerves before a concert are familiar to beginners and seasoned performers alike. The body is getting ready for an important moment: the heart beats faster, hands go cold, the mouth dries. That is not a malfunction. The harder part is when the tension starts to interfere with playing. What helps are skills you can train ahead of time: rehearsing "under pressure", a day-of routine, working with your inner voice and a plan for a mistake. Below are eight steps.

Contents
  1. What is happening
  2. Eight steps
  3. The body: trembling, dry mouth, cold hands
  4. What about pills for performing
  5. When to seek help
  6. FAQ

What is happening

Before you walk on stage, the same system that prepares you to run switches on: adrenaline, fast breathing, muscle tension. That is handy for running, not so much for fine finger movements or breath control. You feel something is wrong with you, and the fear of those sensations adds a fresh dose of adrenaline.

So the key is not to get rid of nerves but to make them manageable. Musicians and athletes have long worked on this with psychological preparation, not just "more practice". For the last ten minutes before an event and the two weeks before it, see How to calm your nerves before a performance, exam or presentation.

Eight steps

1. Rehearse in conditions close to the concert

Playing at home in your slippers and playing on stage are different skills. Record yourself on video, play the programme through without stopping for friends, for your teacher, in the hall. Each such "rehearsal under pressure" reduces the unknown: what you will feel and what you can do about it. The free 10-minute pre-event routine gives a timed order of steps for the last minutes before you go on.

2. Prepare a plan for a mistake

Mistakes happen at concerts, even to the best. Agree with yourself in advance: what do I do when something goes off-plan? For example: breathe, return to the next strong beat and play on. When you have a plan, slipping is less frightening.

3. Relabel the arousal

Instead of "I'm nervous", say: "My body is revving up because this matters to me." Studies suggest that reframing anxious arousal as readiness may help people perform better than trying to "calm down". The effect is modest, but it is easy to test.

4. Build a day-of routine

Set the same order of actions: sleep, food, journey, warm-up, stretch. Repetition gives a sense of control where you have the least. Arrive with time in hand and do not change your food or habits on the day of the concert.

5. Breathe out longer

Five to ten minutes before going on, do a few cycles: in for four, out for six. Do not force it (the breathing timer can pace it, and if you have asthma or a heart or lung condition, read the "Who should be careful" box first). Slow breathing lowers arousal, the best-supported effect of breathing techniques, though it may not remove trembling completely.

6. Change the goal from "perfect" to "the music"

If your head is saying "don't make a mistake", attention is on what could go wrong. Pick a concrete focus for the performance: the character of the first phrase, the sound, a gesture, the breath. Focus on the process leaves less room for self-judgement.

7. Look after your inner voice

Replace "I'll ruin it" with a short phrase that does something: "Breathe. First phrase. Listen." That is enough to break the circle of thoughts. The phrase should be yours and sound natural.

8. Review the performance afterwards

That evening or the next day, write three things: what went well, what I want to change, one step for the next rehearsal. Do not leave the assessment in your head: without notes, only the mistakes remain.

The body: trembling, dry mouth, cold hands

These are signals of arousal, not faults. Simple things help: sip water, shake out your hands before going on, loosen your shoulders, set your feet shoulder-width apart. Trembling while playing often eases within a few minutes once attention moves to the music.

What about pills for performing

Some musicians ask about beta-blockers. That is a decision only for a doctor: they have contraindications and side effects and should not be taken without a prescription. The skills in this article need nothing but time to practise.

When to seek help

Please talk to a doctor or psychologist if:

  • the nerves are so strong that you turn down performances or give up playing;
  • before going on stage you get panic surges, breathlessness or chest pain;
  • the tension does not go away outside concerts and gets in the way of sleep and work;
  • you use alcohol or sedatives to get on stage;
  • thoughts of harming yourself appear.

If you are in danger or thinking about harming yourself, contact emergency services or a crisis line now. These lines are free and confidential:

Free, confidential crisis lines by country are listed in the box below. See the crisis lines ↓

FAQ

Does stage fright go away with experience?

Often it becomes more familiar and manageable, but does not necessarily vanish. Many professionals say a little tension helps them stay focused. What matters is that it does not run the playing.

What if my mind suddenly goes blank?

Breathe, turn to your mistake plan and bring attention to the first sound you hear. Move on from the nearest anchor point, not from the beginning.

How should a child or teenager prepare?

The same principles: rehearsal in concert conditions, a simple routine, support without pressure on the result. If the nerves are very strong, a conversation with a psychologist can help. A student preparing for an exam may also like How to calm down before an exam.

Will coffee help before a performance?

For many people caffeine increases trembling and heart rate. Test it in rehearsals, not on the day of the concert.

Sources

  1. Kenny DT. The Psychology of Music Performance Anxiety. Oxford University Press, 2011
  2. Brooks AW. Get excited: reappraising pre-performance anxiety as excitement. J Exp Psychol Gen 2014
  3. Jamieson JP et al. Turning the knots in your stomach into bows: reappraising arousal improves performance on the GRE. J Exp Soc Psychol 2010
  4. Fincham GW et al. Effect of breathwork on stress and mental health: a meta-analysis of RCTs. Sci Rep 2023

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